Emotional Voices Of Shakespeare s The Merchant Of...

William Shakespeare expresses Shylock and Hamlet’s emotional voices explicitly throughout both plays: The Merchant of Venice and Hamlet. The emotional voices in both texts were due to the tragic incidences each protagonist – Shylock and Hamlet - endured. In The Merchant of Venice the emotions seen within the text are hatred and penitence, whereas in Hamlet the audience can infer that the emotions portrayed are depression, pain and terror; thus instigating that there is a contrasting concept between The Merchant of Venice and Hamlet. This can be seen through Hamlet’s situation where his emotions were triggered by his father’s passing. As stated in Act 4 Scene 4, he utters: â€Å"My thoughts be bloody or be nothing worth†. The word ‘bloody’ suggests that he has malicious intentions as he indicated obliviously that he wanted to avenge his father. Hamlet cannot afford to think of anything other than his unsettled task: execute his fatherâ €™s assumed murderer. This brings out his emotional voice – vengeance - as the death of his father had an enormous impact on him, leading him to become depressed and paranoid throughout the play. Dissimilarly, Shylock’s emotion had been caused by the mistreatment he suffered as a result of him being a Jew in a Christian community. Anti-Semitism was omnipresent in Venice, signifying that Shylock was discriminated against pervasively. This led him to channel all his anger towards the Christians because of the inevitable exploitation heShow MoreRelatedAnalysis Of Film Production Of The Merchant Of Venice1249 Words   |  5 PagesFilm Review Michael Radford s 2004 film production of The Merchant of Venice provides a well-executed and generally faithful rendition of Shakespeare s play. Radford s production especially succeeds in both its casting and set design that elevates the mood and drama contained in Shakespeare s text. In addition to the filming, particular attention was taken to following the original text, but some interesting in liberties in plot details were taken. Radford’s production serves as an exemplarRead MoreLangston Hughes Research Paper25309 Words   |  102 Pagesracial tone. This poem, When Sue Wears Red, praises the beauty of a black girl, using rhythms and responses that he had heard in church. He compared her face to a cameo and her walk to that of a regal queen of Egypt. He described his physical and emotional reaction to her as a blast of trumpets that awakened his heart with a love-fire sharp like pain. On June 6, 1920, Hughes and 126 classmates marched down the aisle of Central High School to receive their diplomas. In a letter to Langston, aRead MoreA Picatrix Miscellany52019 Words   |  209 PagesLondon, The Warburg Institute, University of London, 1962 French B. Bakhouche, F. Fauquier, B. Pà ©rez-Jean: Picatrix Un traità © de magie mà ©dià ©val. 388 p., 130 x 210 mm, 2003, Paperback ISBN 2-503-51068-X, EUR 37.91. Newest critical edition. French S. Matton, La magie arabe traditionelle, Paris, 1977 (incomplete) Latin Picatrix: The Latin Version of the Ghà ¢yat Al-Hakà ®m, ed. David Pingree (London, Warburg Institute, 1986). Spanish Abul-Casim Maslama ben Ahmad: Picatrix (El fin del sabio y el mejor